What makes Alan's research relevant to this blog is that he has created a unique club night called /v/IRAL /v/IDEO /d/ISCO.
/v/IRAL /v/IDEO /d/ISCO is staged in a room with a large projection screen (no visible DJ) and a dance floor. It is a party / club night focused on the results of an online video aggregation experiment. That is novel and it reminds us that the focus in popular music has shifted somewhat from content to context. More clearly than ever, music distribution is now a highly significant place for the development of musical meaning. According to the project’s Tumblr page: “The /v/IRAL /v/IDEO /d/ISCO is not a video installation, it is not a work of art, it is not a comment on remix culture, the status of medium inside visual culture, an exploration of the spaces between club culture and the internet or a piece of research into the blurring of media boundaries.” … But in a sense, though, /v/IRAL /v/IDEO /d/ISCO IS all those things!
In this series of videos Alan answers questions about his innovative installation / club night. His answers provide some fascinating insights on topics such authorship, originality, and the way that music consumption differs in private and public:
Where did the idea for /v/IRAL /v/IDEO /d/ISCO come from?
How important is the life collective experience to
/v/IRAL /v/IDEO /d/ISCO?
Where does /v/IRAL /v/IDEO /d/ISCO exist?
Is it a DJ set? A performance? What is it?
When you show the project as the creator or curator, where are you?
In the club, do people know that this is your research project?
And if they do, do they care?
Wait... this stuff is on YouTube.
Where does /v/IRAL /v/IDEO /d/ISCO exist? Is it a DJ set?
A performance? What is it?
Do traditional questions of authorship and originality still matter?
Are these still important questions?